In Praise of Actors

It's an unbelievable process to have your material interpreted by actors. Musicals don't exist on paper... they have to be brought to life by folks as talented as these "Red Team" actors are!

I'm so grateful we had such a great group... damn, the life of an actor is really difficult, yet they're so willing to share of themselves like this... Thanks forever, guys!

(All photos by Myrna Emata)


Second Assessment (May 12, 2007): John David Wallis, Amy Reiss, Leighton Grampp, Rachel Payne and Christopher Carothers (our original Cain).


Rehearsal (June 13, 2007): Amy Reiss, Leighton Grampp, Rachel Payne and Brent Schindele in In the Nick of Time by Hillary Rollins, Tara Redepenning and Darin Goulet.


Cain and Abel: The Naked Truth with Rachel Payne (Trudy), Amy Reiss (Eve), John David Wallis (Abel) and Brent Schindele (our new Cain) doing "New Eden."


John David Wallis (Abel) and Leighton Grampp (God) in "Every Time You Fall."



Rachel Payne (Trudy) looks on as Brent Schindele (Cain) sings "See the Light."

Leighton Grampp

Brent Schindele

Amy Reiss

John David Wallis

Rachel Payne

New Cain

It's been two weeks since we delivered our final draft and lots of things have happened since then... I'll catch up with it all later. (Going to a Tony Awards party and still debating whether or not I should slave over a hot stove and fry some lumpia...)

Went to my first rehearsal with and am so pleased to have met our new Cain, Brent Schindele. How did we luck out to get ANOTHER fantastic singer/actor -- the gods must be with us.

He's a whole different energy than Christopher Carothers, which didn't take long to get used to at all. But it does show me how DIFFERENT a role can be depending on the performer. I don't know if we would've written it any different if we'd seen Brent first -- he's quite the energetic one and very funny... Christopher was more "sensitive" and has a sweet quality to his singing -- but sadly, Christopher also never got a fully-realized script to work from.

Anyhoo, I'm quite pleased -- more than pleased -- with how the whole show is going. Michele Spears, our director is TERRIFIC, and gets that our play can handle all the "BIGNESS" (yes, it's that broad of a play... who knew?).

I was given a Christmas present last night of seeing the show "Wicked" again in Hollywood -- right after this fab rehearsal -- mind you, and I was in HEAVEN. I told Lu that I've never been so happy in my life -- I'VE FINALLY FOUND SOMETHING I LOVE, UNEQUIVOCALLY! It's such a relief -- and yes, such bliss.

I am so looking forward to this next week and sharing it with my friends and family... and I'm already brewing about my next project (after the recital, of course!). Brew, brew...

P.S. I'm not gonna fry lumpia -- I'll bring purple (ube) ice cream instead. Trying to stay stress-free!

Cain

We found out today at the assessment that we may lose our Cain -- Christopher Carothers -- to another job. We're devastated, and I can barely contain myself. Do all writers/producers go through this disappointment when shit happens in the middle of a project? Because it's unbearable.

I did get to hear "See the Light" sung by him though. What an absolute joy.

Edited to add:

I've journaled, I've sent emails, I've shed many a... well, I've had my pouty day already. As heartbreaking as it all still is, we're meeting tonight to fix our show.

Edited even later to add:

I got the .mp3 of yesterday's assessment and his performance. The arrangement wasn't complete, some melodies have changed... but there it is. I will at least have this crazy .mp3 of the way it's supposed to be sung. Thanks, Christopher.

And our meeting tonight -- what a strong outline we have now! Very proud of my team.

"Mama's Mantra"

We had our first assessment this past weekend, after hearing our actors sing and read ... what a joy to hear something you've created out of your head actually manifest and be interpreted through professionals!

The RED Team has three musicals, and all three went up -- happy to say we came in the closest to time (15 minutes), but of course, we didn't have all our songs done either. I unfortunately goofed with our lead, Cain -- I didn't think he was as much a tenor as he was, so I'm just hiking up his music up a third or a fourth. He'd auditioned with "Joanna" from Sweeney Todd (lovely tenor!) but did The Beast from Beauty and the Beast too (strong, strong baritone as well!), so I didn't even pay attention to range. My mistake. Such a gorgeous voice -- I gotta take advantage of it! Take a gander here:

Christopher singing "The Christmas Song"

I love me a man that sings! (Yes, Maureen, I KNOW he's married, that's not the point, the boy's got a voice! :)

===

After the actors left and commented on their roles (same five actors in all three shows), we proceeded with our two-hour/per show assessments. Not such a bad experience for us -- there were a lot of clarity issues re: story, but only for the better, and pretty good about the music and lyrics.

Did I ever mention the title of our show?

"Cain and Abel: The Naked Truth"

We've met about our restructuring, and "Mama's Mantra," the lullaby I tortured myself with earlier, has been cut. :( I teasingly tell our lyricist that that's the LAST TIME I ever write a piece before I get a lyric because it's too easy for them to "disappear"!

But it's true -- it slows the show down (which is comedy DEATH) and doesn't really pay off. Oh well. Hopefully I'll use it again somewhere, sometime.

Hope you like it.

"Mama's Mantra"